ꋪꍟꉣꍟ꒒꒒ꀤꈤꁅ ꍏ꓄꓄ꋪꍏꉓ꓄ꂦꋪꌗ
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Instrumentation — electronic piece for stereo audio file [for acousmonium]
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Year — 2024
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Duration — 10'38"
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Material — recording
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Program notes — Based on chaotic models, ꋪꍟꉣꍟ꒒꒒ꀤꈤꁅ ꍏ꓄꓄ꋪꍏꉓ꓄ꂦꋪꌗ oscillates between states of equilibrium and non-periodic phases, repetitions and sudden bifurcations. The result is a very organic, fluid, abstract and aggresive composition — a dystopian soundscape with maximalist textures fighting against each other, staggering from explosive bursts of percussive impacts to static but recurrent drones. The whole system - shaped by the composer's hand on his modular synthesizer - generated continuously new and unexpected gestures like a non-linear, yet adaptive and self-sustaining ecosystem.
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Première — 01/06/24 @Herz Jesu (Frankfurt)
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ꋪꍟꉣꍟ꒒꒒ꀤꈤꁅ ꍏ꓄꓄ꋪꍏꉓ꓄ꂦꋪꌗ
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Instrumentation — electronic piece for stereo audio file [for acousmonium]
——————————————————————————
Year — 2024
——————————————————————————
Duration — 10'38"
——————————————————————————
Material — recording
——————————————————————————
Program notes — Based on chaotic models, ꋪꍟꉣꍟ꒒꒒ꀤꈤꁅ ꍏ꓄꓄ꋪꍏꉓ꓄ꂦꋪꌗ oscillates between states of equilibrium and non-periodic phases, repetitions and sudden bifurcations. The result is a very organic, fluid, abstract and aggressive composition — a dystopian soundscape with maximalist textures fighting against each other, staggering from explosive bursts of percussive impacts to static but recurrent drones. The whole system - shaped by the composer's hand on his modular system - generated continuously new and unexpected gestures like a non-linear, yet adaptive and self-sustaining ecosystem.
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Première — 01/06/24 @Herz Jesu (Frankfurt)
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